Codruț莫拉里一个
电影副教授 & 媒体研究
电影理论与媒介美学, 媒体生态, 思想史, French Culture and Intellectual History, 监测研究, 人文环境.
教育
- B.A., University of Paris III - Sorbonne Nouvelle
- M.A., University of Paris III - Sorbonne Nouvelle
- Ph.D., University of Paris III - Sorbonne Nouvelle
当前和即将开设的课程
This course examines how the over 4,000 annual film festivals impact the economics, 循环, 以及电影美学. 像戛纳这样的活动, 柏林, and Venice may be known for glitzy red carpet premieres but are also important nodes in the global film market; less well-known, 当地的, or niche festivals bring communities together and raise awareness about social issues. Students will learn the history of major A-level festivals and examine their global geopolitical implications. 此外, academic texts from the new and burgeoning subfield of festival studies will help us consider film’s role in conversations about human rights, 环境保护论, 以及LGBTQ+身份. Students will compare festival histories, 目标, and programming to construct arguments about how festivals have impacted global film 循环. Students will also plan a hypothetical festival to think through the practical concerns of programming.
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非殖民化电影史
CAMS220
Why is it that only a limited number of filmmakers and national cinemas figure prominently in histories of cinema? Why do film scholars tend to prioritize artistic direction and ignore the 劳动 of technicians or seasonal employees? Why is Alice Guy-Blaché overshadowed by the “great men” who, it is claimed, “invented” cinema? 带着这样的问题, we will re-scan conventional film historiography and claim places for previously overlooked individuals and practices. We seek to create an inclusive canon that acknowledges the work of women, 小电影院, 土著社区. In an endeavor to decolonize film history, this course will take a global approach to cinema’s rich and vastly unsurveyed legacy of more than a century.